Why 35mm lens

Great travel photo sets include a mixture of image compositions, but having a consistency to hold them all together is also important.

A 35mm lens will allow you to capture most of the former while at the same time maintaining the latter. If that happens and you find yourself switching to a 35mm, how much value are you getting from that 50mm anymore? Whether that amount of zoom is important enough to spend multiples of the cost of a 35mm f1. Spending far less on a 35mm f1. Then the real value for money comes in falling in love with the focal length and enjoying producing great work with it for years and years on end.

Having done the majority of my own photography with vintage lenses — be that on a digital camera body or just shooting film — I really have to include a section on this. As 35mm lenses have been one of the most commonly available focal lengths for a long time now, there are plenty of vintage ones to choose from should you want to go down that rabbit hole.

With prime lenses being a relatively simple design and usually solidly built, you can pick up one with decades of shooting under its belt and find it still works perfectly well. You can learn how here. Another reason to go for a vintage 35mm lens is the character it will give your photographs when compared to a brand new one.

The final reason to go for a vintage model is the price. Picking up a prime lens is one of the best things you can do when you feel your photography has plateaued with your kit lens, as far as bang for your buck is concerned, and one of the very best choices is a 35mm. While a 50mm is arguably a more common first purchase, there are plenty of reasons to go for a 35mm instead — least not that your work will look different when so many other people are using a 50mm. Generally speaking, the faster the lens is at a given focal length, the more expensive it will be.

This means a 35mm f1. I think the price jump to 35mm f1. If you found this guide to why you should have a 35mm lens useful and think others will too, help them find it by sharing or pinning. This site uses Akismet to reduce spam. Learn how your comment data is processed. Sale Bestseller No. Picture angle with Nikon DX format 44 degree Bestseller No. Sigma 35mm F1. It feels right. The 35mm lens is extremely versatile. The 35mm is a lens that allows you to capture many different types of camera shots and angles.

Lenses with high mm levels longer focal lengths are for very specific uses. Often when far from your subject. Lenses with low mm levels shorter focal lengths help when you need an ultra-wide shot. These are nice luxuries to have but are by no means essential. Even though a smaller mm gives you a wider image… in terms of size, a smaller mm corresponds to a smaller lens. This makes a 35mm lens very easy to transport and great for travel photography or guerilla-style film shoots when you need to travel light and get shots quickly.

The 35mm lens has a relatively big aperture. A larger aperture allows more light into the camera, so when light is limited, it can maximize its potential. This is HUGE. Lighting, especially outdoor lighting, can make or break any shot.

Do you want a Carl Zeiss Lens? Cheap but still good? You can always check your local camera store or meet-swap but selection can be very limited. Remember, with a camera, the lens is just as important as the body.

Check out our go-to guide to all the photography and video lenses you can think of. We cover standard, wide-angle, long focus, fisheye, telephoto, macro, parfocal…. This being said, I use both lenses in cities and in the suburbs. I think using both is important to keep you fresh and to switch up your perspective. When you get too comfortable with one, just switch it up! Do you prefer scenes that fill the frame with your subject or do you prefer scenes with multiple subjects or ones that have an equal footing for both the main subject and the background?

In fact, the faster lenses are often not ideal because they are larger and more expensive. For this reason, I often prefer F2 or F2. Why the 35mm and 50mm Are the Best Lenses for Street Photography The 35mm and 50mm lenses are the best lenses for street photography, hands down. And I think they both work hand in hand together. These 35mm lenses are generally fairly free of distortion, while at the same time being wide enough to capture a scene and also allowing for you to get in close for a more traditional portrait.

What this translates to in real world use is that one 35mm lens can be used for environmental portraits, headshots, standard portraits, landscapes, street photography and the list goes on. In recent years the 28mm lens has become more popular as well too—but 35mm remains the king for many photographers. Lots of the staff here prefer 35mm lenses. Thanks to the versatility and familiarity of the 35mm viewpoint, as noted above, you can find a use for your 35mm for almost any job you are heading into.